“I love high cathedrals…” A. Blok. “I love high cathedrals…” Alexander Blok

The poetic thought in the poem "She is slim and tall" moves from stanza to stanza with the help of lyrical plot: Waiting for a meeting with a loved one. The poem sounds in an elevated tone. “She is slim and tall…” - speaks of the inaccessibility of the heroine. With the help of these lines, we present the real features that elevate Her image. With the words “Always arrogant and harsh,” the author emphasizes Her constancy and inviolability. She is an ideal for a lyrical hero, but inaccessible and out of reach for him. The hero lives in order to see Her every day, to know that She is near. He does not expect reciprocity and does not ask for anything in return, he is ready for anything for Her sake, he watches over and, as it were, guards Her Majestic image. He knows every hour, a moment of Her life in advance. But we understand that the hero does not see the real girl, but only represents her. Her image is not clear to us, it is incomprehensible and vague: "... She - and with her a shaky reflection." The lyrical hero is so exhausted by expectation that the author compares him to a villain. The villain is a symbol of darkness, he is never seen. So the hero is constantly in the shadows, so his image is invisible. We just feel his presence next to us. He constantly pursues her. He plays hide-and-seek, does not give his beloved the opportunity to find himself, does not show himself, always remains at a distance.

Here a third person appears - a rival of the lyrical hero. But he is surrounded by a dark background. We do not see a clear image, again unclear, dark, incomprehensible.

The line “And I watched and sang their meetings” delighted us the most. The lyrical hero not only accepts, but sings of his choice, still remaining at a distance from Her. But still, he is with Her heart and soul, does not leave Her for a moment, follows every meeting.

With the words “Yellow lights and electric candles flashed”, the author illuminates the path of the lyrical hero, along which he follows his beloved, illuminates his pure feelings. Yellow and "electric" colors confirm the true and warm feelings of the hero. The line “She had a premonition of something” suggests that even for a moment, but still the heroine feels His closeness, understands that someone lives with fiery love for Her. Although She only thinks about it, and does not believe, because she does not know about the existence of a lyrical hero, this is the whole tragedy.

Sometimes the heroine begins to anticipate his presence, and he has hope and the possibility that she will finally notice him. But even at this moment, the hero is hiding, hiding somewhere far away, not just far away, but into the depths, which will again darken him. "Blind dark gate" symbolizes invisibility, obscurity, foggy. They help the lyrical hero to be in a constant shadow, but at the same time they separate, separate from his beloved, become a kind of barrier, and a dark one, which kills the opportunity to escape to the heroine. The lyrical hero is not seen not only by the beloved, but by everyone. He is completely isolated from the outside world, dedicated himself and his life only to her. He does not need communication with others, the world is alien to him. Only She is the meaning of his life, thanks to love for Her, he lives. At the same time, he watches his opponent, perhaps evaluating him, but not in order to compare with himself, but in order to rejoice at the choice of his beloved. In the line "Her silver-black fur", the hero again notices Her peculiarity. Even clothes elevate, put Her higher. Silver is associated with brilliance, which gives purity and sincerity to the heroine. Fur says that the image is dear to the hero, he always keeps it in his heart. The whispering lips of the heroine prove that he can only hear a whisper, since he is not given to understand what this Beautiful Goddess and "Holy" is talking about. Heroes of the poem He and She .

HE- earthly, so mundane that he is afraid to get off the ground. He is a mortal and sinful man. In the poem, he takes the role of an observer, since he is at a distance from his beloved, not being able to be near, he is in constant motion, as evidenced by the presence of verbs: followed, fled, knew. It has pure love, which fills the life of the lyrical hero with reverence and peace. It has mental pain, sadness, embarrassment, which causes a strong feeling of separation. Lives for the ideal he worships. It is she who is the meaning of his life. It remains with devotion in the soul and sincere joy, because the beloved is happy.

SHE- the embodiment of the "Deity", "Goddess", "Majestic Wife", "Holy". The image has many faces: on the one hand, this is an earthly woman, and on the other hand, a majestic, sublime one is likened to the image of the “Our Lady”, embodying the harmony of the world, takes the role of an ideal that fills the life of the hero with meaning. It has the properties of something mysterious, mystical, unearthly, silent. He has the love of an eternal adorer, about whom he knows nothing and has no idea of his existence.

Heroes share the incompatibility of Earth and Heaven. They are from different worlds. It unites the unsolved mystery, which, like a cloud, entangles the heroes. We do not see a single clear image of the heroes, they are darkened, unclear, vague.

Sound recording. Color painting.

The sound "e" prevails, which elevates the breadth of the hero's feelings. The combination of the sounds “o” and “a” is filled with symbolic meaning, expressing the magnificence, height, delight and depth of the hero’s feelings for the Beautiful Lady. Her image appears in dark silver tones, the sounds "d" and "t" denote fog and darkness. The silvery color and the “shaky reflection” speak of the easy ease of the relationship between the characters. At the same time, her severity and arrogance worsen the relationship, you can immediately predict the impossibility of communication between them. The structure of the first three stanzas is the same, they consist of simple sentences. Dots at the end of lines. This means that the hero is confident in himself.

The structure of the last two stanzas is combined into one complex sentence. Here, dark, cold colors begin to thicken, which confirms the predominance of the sound “and”.

The intonation is calm, even, emotionally not exalted. There are no expressive punctuation marks.

Analysis of the poem by A.A. Blok "Stranger"

The poem is built on the principle contrast.

In the first stanza poems take center stage a restaurant which symbolizes the evening chaos. Chaos is not only in the city, but also in souls, in people's minds. Before the lyrical hero arises realistic picture vulgar, soulless life, which the hero rejects, but he himself cannot get out of it. Nature is likened to a wild life, she does not want to see what is happening around: "hot air is wild and deaf." Outside Spring, but here she is not a symbol of fragrance, life and happiness. She rather imbued with the spirit of decay and decay. Hot the air is intoxicating without that drunk people. And all this is ruled by the "spring and corrupting spirit" - the spirit of the death and decay of society. Just as mud is exposed in spring, so in the evening, drunks are "naked" people. They enjoy only earthly vulgar things, but not anything sublime.

In the second stanza before us instead of urban chaos appears country chaos reigning everywhere. Dachas should have fresh, clean air, but no, and here everywhere dust which makes it hard to breathe. The painting is depicted everyday life - imperceptible, imperceptible. baby crying confirms this. The child feels bad, he feels this chaos like no one else.

« bakery pretzel", which the " a little golden”, is the hope for the salvation of the “drowning” in vulgarity. Everyone sees this gap, but no one aspires to it because everyone is used to an idle life. This bakery has probably been closed for a long time. Bread, which is “the head of everything”, has become useless to anyone. And that is why "a baker's pretzel is a little golden," which, with the onset of evening, loses its need.

Third stanza begins with the words: "and every evening behind the barrier ...". Barrier separates one world from another. The idle evening life of wits begins with the same thing - walks. " Bowlers» indicate that these are people from the upper class. Wits are walking "breaking bowlers" as a sign of greeting, and at the same time they probably flaunt on their faces smile. But she's not sincere, but rather selfish, "pasted"- they smile for personal gain. Wealth doesn't make wits better - they all walk among the ditches, and ditches not the best place for walking, only disgust arises. The image of "wits" is associated with upstarts, egoists and jesters. The word "wits" is used with the epithet experienced, i.e. accustomed to their "rank"

First line of the fourth stanza sets us up in a romantic mood: "oarlocks creak over the lake ...". But here we hear a disgusting screech, from which it becomes cramped in the soul, maybe a little scary.

moon, which is a symbol of love, should set you in a romantic mood, but it "meaninglessly grimacing" in the sky. Block compares it to a disk, and with this word arises an image of something metallic, unnatural. In this world, she has lost her properties - she looks more like an electric light bulb. The author personifies it by saying that she is accustomed to everything that is going on in the world.

The next two stanzas – transition to another picture, directly opposed to the surrounding vulgarity. From these lines we learn that the lyrical hero is lonely: "and every evening the only friend in my glass is reflected." Maybe this friend is nothing but a reflection in the glass of the lyrical hero himself. "Tart and mysterious" moisture He called the wine, which "stunned" his grief. In the last stanza of the first part, the author once again emphasizes the earthiness of the situation in which people find themselves. The lackeys here 'stick out”, for them it is work and, despite the humiliation and physical fatigue, they have to court "drunkards with rabbit eyes." The poet compares these people with animals. Man has sunk to such an extent that he has lost all his qualities, and now he obeys only animal instincts. And in the life of these "suicides" there was only one truth left - wine.

The first part useslow vocabulary: "wild, drunken, pernicious, alley dust, crying, screeching, grimacing, sticking out, screaming."

In the second part, Blok speaks sublimely - mysteriously.V The beginning of the poem depicts the real world. However, the next six stanzas in content and poetics constitute such an obvious contrast to the first part.

The lyrical hero is dissatisfied with the real world. This makes him go to world of dreams, dreams and fantasies. He confused himself and now he cannot understand whether this is a dream or reality.

But She appears - the Stranger, who completely intoxicates Him. She is a ghost that comes from the darkness. She "moves", "slowly" goes. The dirt of the surrounding vulgar environment does not come into contact with Her, She seems to hover over her. The lyrical hero does not know who this woman is, but He elevates Her to a heavenly deity. The fact is that the Stranger is both the embodiment of high beauty and the product of the "terrible world" of reality - a woman from the world of "drunkards with rabbit eyes."

When She "floated" among the drunks, no one paid attention to Her, except for the lyrical hero, because She is a figment of his imagination. The stranger is lonely: "always without companions, alone." And in anticipation of something, "she sits by the window." It is not by chance that She sits at the window: moonlight falls on Her from the window, which gives Her great mystery, mystery and distinguishes Her from the crowd. Just as people sailing in boats do not see the beauty of the moon, so the drunkards surrounding the Stranger cannot appreciate Her charms. She sits at the window to admire the beauty of the moon and not see all the vulgarity surrounding Her.

Let's remember what air was at the beginning of the poem - suffocating, heavy, rotten. And now “breathing with spirits and fogs” is the air inspired by something bright, divine, inaccessible to the lyrical hero. He exalts Her to the point where He himself cannot approach Her. But at the same time He is shackled by a "strange closeness." He wants to unravel, to understand who she is.

Her "elastic slits" "blow". At this word, we shudder; it blows a light breeze over us. We can imagine that “her elastic silks” are swaying in the wind - this gives her lightness, illusoryness. Rings are like handcuffs that do not allow her to get out of the world of vulgarity. This world surrounded Her from all sides. Because of this, She wears a hat with "mourning feathers".

He and Her are united by loneliness. Therefore, He is “chained by closeness”. Behind the appearance of the Stranger, the hero sees "the enchanted coast, the enchanted distance." He wants to go to Her in the "enchanted distance", to get away from the world of vulgarity, which a minute ago seemed invincible. She is nearby, on the other side, where goodness reigns, where everything is beautiful. The stranger is so far and high that the hero can only admire Her, but is unable to reach Her. He must unravel the mysteries of life: "deaf mysteries are entrusted to me, someone's heart is entrusted to me ...". He came up with Her past and present, painted Her state of mind in his imagination. The hero is given the secret of the Stranger. He must unravel it in order to reach the "enchanted shore". The sun is the secret. It is a symbol of happiness and love. And the feeling, the understanding of this initiation into other people's secrets gives rise to such a strong feeling in the lyrical hero, as if "tart wine has pierced all the bends." The wine made it possible for him to swim out to where "bottomless blue eyes bloom on the far shore." The heroine "stuck" into his imagination, he cannot get out of his head a single detail of her image, even "ostrich feathers". He drowns in Her bottomless eyes, which beckon Him to the other side - a symbol of new life, new discoveries.

The last stanza of the poem is built on understanding what happened in the soul of the hero. He woke up from a fairy tale, a world of dreams. The hero guessed the secret: "the truth is in the wine." The guessed secret, which opened up the possibility of another life on the far shore, far from the vulgarity accepted by everyone, is perceived by him as a newly found treasure, "and the key is entrusted only to me." The wine that hits the head helps to gain faith and hope, and he shouts: “You are right, drunken monster! I know: the truth is in the wine. No wonder he called himself a monster - he remains such, but dedication to the secret charm of another world, even in the imagination, is affirmed as truth.

The salvation of the lyrical hero is that He remembers about the existence of unconditional love, yearns to believe, yearns for the only love.

Annex 8

Pasternak called his poem "Dawn”, because it is with the dawn that the awakening and exultation of life begins. . From the Sun on earth life and beauty.

It seems to me. The background to the poem is the spring musical pictures of P.I. Tchaikovsky's "The Seasons": here the first snowdrop breaks through, here May rejoices with a lush color ...

Let's touch each poetic stanza, like the sensitive keys of a piano

First stanza An unexpected appeal to a lilac branch, which, in the rain and wind, looks like a tousled sparrow. She, the hand of the wind, and, perhaps, of nature itself, tries to the touch, is it warm around, is it time to rush the birds to praise spring with a song?

In the semi-darkness, this revived branch seems to be gray-green-lilac.

In the second stanza we see how the first rays of light ran through the garden. The garden comes to life. The epithets "splashed, dripped" draw tears of rain on the cheeks of nature. But there is no longer sadness: in every droplet, the spark of life and beauty lit up. Pasternak compares drops not with precious stones, but with cufflinks, as if they close the covers of night secrets. But how many around the fire: "millions of blue tears." The garden is compared to a sparkling river backwater, a pool

The third and fourth stanzas, for contrast, depict the garden of the previous night. The reception is the same as that of Pushkin in "Winter Morning": "Evening, do you remember, the blizzard was angry ... And now look out the window!" In the black veil of the night, the garden looks like a defenseless baby, who is “nurtured by melancholy.” From loneliness, the garden “bulged into the window.” Such a colloquial word represents the garden as a small and fluffy creature, similar to one of the pets. The spirit of the garden came alive in the darkness. “Muttered, smell.” And the lyrical hero was somewhat terrified by the rattling of the shutters, and by the raw rancidity. Apparently, the indifferent person could not sleep: he heard and even smelled and felt the dark garden. But most of all he was haunted by the sixth sense - a premonition of something unusual. And the miracle has come: LIGHT! The garden is awake.

It seems to me that heavenly music poured out in the key of "E major". Major means bright and life-affirming, optimistically sunny. And the sound “mi” evoked in many composers, including Scriabin, revered by Pasternak, an association with heavenly blueness, and hence the holiness of NATURE, which Pasternak considered the holy TEMPLE OF ETERNITY.

Appendix 9

Topic: “Observation of the sound figurative means of language in

texts by A.S. Pushkin»

Goals: to draw students' attention to the phonetic organization of Pushkin's texts as a significant element of the writer's style, to work on developing the skills of linguistic-stylistic analysis and linguistic flair.

Cycle "Poems about beautiful lady"(1901-1902) became central in the first volume of A. Blok's lyrical trilogy. In it, the poet was guided by the "new poetry", which reflected the philosophical teachings of Vl. Solovyov about Eternal Femininity, or about the Soul of the world. “Poems about the Beautiful Lady” were associated for Blok with his youthful love for his future wife, L. D. Mendeleeva, and therefore were dear to him all his life. Vl. Solovyov, in his teaching, argued that only through love can one comprehend the truth, unite with the world in harmony, defeat selfishness and evil in oneself. He believed that everything feminine carries a life-giving principle. Mother, wife, lover - they are the ones who save the cruel world from destruction. “High” love for a woman can reveal the hidden secrets of the world, connect a person with heaven.

In this cycle, the lyrical hero of Blok no longer experiences longing, loneliness, as in early poems, the perception of the world and the emotional tone of the poems change. They acquire an elegiac connotation and mystical content. At that time, the poet was intensely waiting for a revelation, calling on the Beautiful Lady. He wanted the time of truth and happiness, the transformation of the world, to come soon. Blok expressed his feelings by means of symbolism. He animated Femininity itself, called his dream Eternally Young, Eternal Wife, Princess, Holy, Virgin, Dawn, Kupina.

The images of the Beautiful Lady and the lyrical hero, her knight, are dual. Poems where we are talking about “earthly” love, for a real woman, belong to intimate lyrics. The hero is waiting for his Lady, gives her description:

She is slender and tall, Always arrogant and stern.

For the hero, she is a deity whom he worships, although he sees her only from afar or in the evening "at sunset." Each meeting with her is a joyful and long-awaited event. Either she is dressed in "silver fur", then in a "white dress", she goes "into the dark gate". These features of a real woman suddenly disappear, and the poet already sees the mystical image of the “Virgin of the Rainbow Gates”, calls her “Clear”, “Incomprehensible”. The same thing happens to the hero himself. Now he is “young, and fresh, and in love,” then he imagines himself as a monk lighting candles in front of the altar in the Temple of the Virgin, then as her knight. Before us are living heroes, and the hard work of their souls, capable of feeling deeply and strongly. The dramatic expectation of the arrival of the Beautiful Lady is caused by the hero's doubts. He feels unworthy of her. Blok contrasts earthly and heavenly, physical and spiritual. The lyrical hero passionately longs for the arrival of the Beautiful Lady, but he is an earthly person, with weaknesses and shortcomings, lives according to earthly laws. Will he be able to start living according to the laws of love, truth and beauty? The hero calls the light and the deity, but will he survive? material from the site

The hero wholeheartedly strives for the light, but is still in darkness. Hence, one of the central themes of the cycle is the theme of the path to the light. The hero repeats "Come!", referring to the Beautiful Lady. Her image is an embodied secret that she can reveal to people. Soberly assessing the state of human aspirations, the poet did not hope for quick changes in the souls of people, so he writes: “You are far away, as before, so now ...” Blok, using symbols, tried to tell readers that if people do not follow the path of good, love and justice, then a universal catastrophe awaits them. But still, his hero believes that someday life will change for the better: “But I believe you will ascend”; "You will open the Radiant Face."

Blok used and transformed his personal experiences in his work. The cycle "Poems about the Beautiful Lady" should be considered as love and landscape lyrics, as a mystical and philosophical story about the poet's path to Sophia, that is, to wisdom, and the path of the world to spiritual Transfiguration.

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Annex 1

Analysis of the poem by A. Blok "We met with you at sunset"

Students: Tatarnikova E.,

Ganakin I.,

Perova M.

In the poem “We met with you at sunset”, a special world of a hero in love opens up before us.

The poem of 4 stanzas is based on the plot of a meeting that does not promise a future, bordering on separation.

In addition, 2 motives are clearly expressed in the poem: the motive of the meeting (1 and 2 stanzas) and the motive of parting of the lyrical hero with his beloved (3-4 stanzas).

The meeting of the heroes takes place at sunset, shrouded in an evening halo of mystery, this already initially indicates the "sunset" of the relationship. In addition, they meet against the background of the river, which personifies the irreversible flow of time. She "cut through the bay with an oar", as if striking a blow at the feeling that was carried away by the current of the river.

The heroes have no future: all the verbs in the poem are used in the form of the past tense. Their dates are shrouded in fog, which symbolizes the fragility, fragility, and illusory nature of their meetings.

But their dates were romantic, riddled with mystery that the evening hid. The image of evening candles emphasizes the purity and purity of their relationship.

Her image hides, slips away, it is also carried away by the current of the river. Her image is elusive, vague: we see only the outlines of the camp in a white dress (“I loved your white dress”). She is silent, incomprehensible, immaculate. He adores her image.

Indistinctly, vaguely outlining Her image, the poet thereby describes mainly Feel lyrical hero. He sincerely loved Her inaccessible image, "having fallen out of love with the refinement of a dream."

But reality does not accept their meetings. Therefore, in the 3rd stanza, the motive of parting is clearly expressed: "... approximations, rapprochements, combustions - the azure silence does not accept ...". These lines are the boundary between the relationship of the characters. The presence of a dash and an ellipsis once again emphasizes this gap.

But Her image for the hero is a source of eternal happiness, eternal joy, beauty. Despite the fact that there was an emptiness in the hero’s soul: “... no longing, no love, no resentment, everything faded, passed, departed ...”, the last two lines of the poem: “White camp, voices of a memorial service // And your golden oar.” - sound like a song addressed to Greatness, Femininity, Beauty and Love.

The color scheme of the poem.

1st stanza. Bright red sunset against the dark background of the river.

2nd stanza. The dark background of their meeting.

3rd stanza. Evening fog against the background of the river bank, in the distance a bright reflection of the moon.

4th stanza. Dawn, the predominance of scarlet and gold. Her image is in white.

Sound recording.

The vowels “e, and” dominate - tenderness, lordship; "o" - delight; "a" is magnificence.

The consonants "v, l" - symbolize affectionate, enveloping, pleasant.

These sounds fill the poem with musicality, melodiousness, grandeur.

Analysis of the poem by A.A. Blok"I, the boy, light the candles."

Students: Lukyanova A.,

Lukina K.,

Vanyushin D.,
Kolotilin A.

The poem "I, a boy, light candles" consists of four stanzas, where the lines clearly rhyme with a cross rhyme. The poetic thought moves from stanza to stanza with the help of a lyrical plot that conveys the inner state of the lyrical hero (prayer, worship, admiration), which appears before us in the guise of a devoted, kneeling, submissive young admirer of Her image.

The mention of candles, incense fire, church fence, altar, as well as the dominance of white color (white church, white flowers) testify to the holiness of the image of the heroine, emphasize Her purity, purity. In addition, the white color in Christian symbolism represents Faith.

In “Memoirs of Alexander Blok” by Sergei Solovyov we read: “The silence, modesty, simplicity, grace of Lyubov Dmitrievna Mendeleeva enchanted everyone ... Her Titian and Old Russian beauty still benefited from the ability to dress gracefully, white went to her most of all, but she was also good in white, and in bright red ... "

Now we can say with certainty that the symbolism white color not random: he is under the influence of a romantic experience - A. Blok’s passion for L. D. Mendeleeva, and also personifies the Faith in the Eternal, Pure, Beautiful, Feminine as the appearance of the sublime.

Fire and candles are associated with red, which symbolizes love. But for A. Blok, love is a mystery, something perfect, unearthly. We did not meet A. Blok's poems in which he would write about love as a reality. Love is always just an image, a symbol, that is, the feeling of love available to the soul is never embodied in a real person. That is why Her image in the poem is intangible: "She is without thought and without speech // on that shore laughs." They cannot meet - they are separated by a river. For the hero, she is a symbol of the ethereal focus of Faith, Hope, Love.

He is a humble boy, lighting candles, ready to do anything for Her, in order to capture Her unearthly Face. Only through Her image, he can comprehend the secrets of beauty and marriage bonds.

Poem colors:

1 stanza. The red color of the censer fire and candles against the dark background of the interior church decoration. Blue river background. Her image on the other side in a white dress.

2 stanza. The white church against the background of an evening sunset in a dull blue dusk.

3 stanza. Her appearance is in bright light colors, a white church, a church fence, white flowers.

4 stanza. Dawn against the background of a foggy veil with a reflection of scarlet.

Sound recording.

Vowels "a", "o", "e" dominate, which testify to the contrast of dark and light backgrounds: "a" - light, wide, "e" - warm, narrow, "o" - dark, endless. These sounds give beauty, smoothness, melodiousness to the sound of the poem.

« I enter dark temples …»

Students: Loburenko I.,

Gostyukhin G.

The poem incorporates the main motifs of the cycle "Poems about the Beautiful Lady".

The reason for creating the poem was the meeting in St. Isaac's Cathedral of A. Blok with L. D. Mendeleeva. An image appears before the lyrical hero, which can only be compared with Pushkin's Madonna. This is "the purest beauty of the purest example." In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: "Oh, I'm used to these robes", "Oh, saint ..." - with the help of an anaphora, the author highlights the importance of the event.

The intonation is solemn and prayerful, the hero yearns and begs for a meeting, he trembles and trembles in anticipation of it. He is waiting for something wonderful, majestic and completely bows before this miracle.

The “flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand Her and respect her. The Hero understands Her with his soul and elevates this image to heavenly heights, calling it “The Majestic Eternal Wife”.

Church vocabulary (lamps, candles) puts the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around it. The temple is architecture that seeks to recreate the world order, striking harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. Before us appears the image of the Mother of God, as the embodiment of the harmony of the world, which fills the soul of the hero with reverence and peace.

He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and incorporeal thing that makes the hero shudder: “But an illumined one looks into my face, only an image, only a dream about her”, “I tremble from the creak of doors ...” She is the concentration of his faith, hope and love.

Color palette consists of dark shades of red (“In the flickering of red lamps ...”), which carry sacrifice: the hero is ready to give up his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person, and a special value of the surrounding being. Tall white columns exalt the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shadow of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.

Color painting. Sound recording.

1 stanza: the sounds "a", "o", "e" combine tenderness, light, warmth, delight. Tones are light, shimmering. (Color white, yellow.)

2 stanza: sounds "a", "o", "and" - constraint, fear, darkness. The light is waning. The picture is not clear. (Dark colors.)

Verse 3: The darkness is leaving, but the light is coming slowly. The picture is not clear. (Mixture of light and dark colors.)

4 stanza: the sounds "o", "e" carry ambiguity, but bring the greatest stream of light, expressing the depth of the hero's feelings.

Analysis of the poem by A.A. Blok"The girl sang in the church choir".

Students: Vishnyakova A.,

Novikova A.

In this poem, the poet conveys the interaction of Eternal Femininity, beauty with the reality of life, that is, the connection of the earthly and the Divine.

At the beginning of the poem - peace, tranquility. A church is depicted, a singing girl, and in the background - ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with "... tired in a foreign land, ships that have gone to sea, having forgotten their joy." Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. Peaceful singing prompted everyone from the darkness to look at her white dress and listen to the mourning song. The darkness and her white dress symbolize the sinful and the holy in this cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “... And it seemed to everyone that there would be joy, that in a quiet backwater all the ships, that in a foreign land tired people found a bright life for themselves.”

We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a beam, then the confidence came that the world is beautiful, it is worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But among the general happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only in memories, hoping for the best.

With her dazzling radiance, with a gentle voice, the girl gave people the opportunity to forget for a moment what was happening outside the church. In the image of a girl, they saw that ray of life that they needed so much. They saw in her not a simple girl, but a Deity who descended from heaven to a sinful earth to save their souls. In the last column of the poem, the crying of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War).

Understand deeper meaning poems help us color background. If even at the beginning of the poem people are swallowed up by darkness, then at the end of the poem the dark tones turn into light ones. It seemed to them that they "... found a bright life."

In the fourth stanza, in the third line - "... involved in secrets, - the child cried" - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, all the brightest and most innocent. And in this case, he is a child prophet, foreseeing the difficult future of Russia.

Analysis of the poem by A.A. Block "She is slim and tall"

Students: Wirtz Yu.,

Miller A.,

Vdovina S.,
Lychagin D.

Here a third person appears - a rival of the lyrical hero. But he is surrounded by a dark background. We do not see a clear image, again unclear, dark, incomprehensible.

Heroes of the poem He and She.

HE is earthly, so mundane that he is afraid to get off the ground. He is a mortal and sinful man. In the poem, he takes the role of an observer, since he is at a distance from his beloved, not being able to be near, he is in constant motion, as evidenced by the presence of verbs: followed, fled, knew. It has pure love, which fills the life of the lyrical hero with reverence and peace. It has mental pain, sadness, embarrassment, which causes a strong feeling of separation. Lives for the ideal he worships. It is she who is the meaning of his life. It remains with devotion in the soul and sincere joy, because the beloved is happy.

SHE is the embodiment of the "Deity", "Goddess", "Majestic Wife", "Holy". The image has many faces: on the one hand, this is an earthly woman, and on the other hand, a majestic, sublime one is likened to the image of the “Our Lady”, embodying the harmony of the world, takes the role of an ideal that fills the life of the hero with meaning. It has the properties of something mysterious, mystical, unearthly, silent. He has the love of an eternal adorer, about whom he knows nothing and has no idea of his existence.

Sound recording. Color painting.

Her image appears in dark silver tones, the sounds "d" and "t" denote fog and darkness. The silvery color and the “shaky reflection” speak of the easy ease of the relationship between the characters. At the same time, her severity and arrogance worsen the relationship, you can immediately predict the impossibility of communication between them.

The structure of the first three stanzas is the same, they consist of simple sentences. Dots at the end of lines. This means that the hero is confident in himself.

The structure of the last two stanzas is combined into one complex sentence. Here, dark, cold colors begin to thicken, which confirms the predominance of the sound “and”.

The intonation is calm, even, emotionally not exalted. There are no expressive punctuation marks.

Analysis of the poem by A.A. Blok "Stranger"

Students: Vorobieva A.,

Zaitseva A.,

Lavoshnichenko T.,
Khoroshavtseva A.

The poem is built on the principle of contrast.

In the first stanza of the poem, the central place is occupied by a restaurant, which symbolizes evening chaos. Chaos is not only in the city itself, but also in the souls, in the minds of people. Before the lyrical hero, a realistic picture of a vulgar, soulless life arises, which the hero rejects, but he himself cannot get out of it. Nature is likened to wild life, she does not want to see what is happening around: "hot air is wild and deaf." Spring is on the street, but here it is not a symbol of fragrance, life and happiness. It is rather imbued with the spirit of corruption and decay. Hot air intoxicates already drunk people. And all this is ruled by the "spring and corrupting spirit" - the spirit of the death and decay of society. Just as mud is exposed in spring, so drunken people are “uncovered” in the evening. They enjoy only earthly vulgar things, but not anything sublime.

In the second stanza, instead of urban chaos, we see countryside chaos reigning everywhere. Dachas should have fresh, clean air, but no, and there is dust everywhere, which makes it difficult to breathe. A picture of everyday life is depicted - deep, hopeless. Children's crying confirms this. The child feels bad, he feels this chaos like no one else.

The “bakery pretzel”, which “grows a little gold”, is the hope for saving those “drowned” in vulgarity. Everyone sees this gap, but no one strives for it, because everyone is used to an idle life. This bakery has probably been closed for a long time. Bread, which is “the head of everything”, has become useless to anyone. And that is why "a baker's pretzel is a little golden," which, with the onset of evening, loses its need.

The third stanza begins with the words: "and every evening behind the barrier ...". The barrier separates one world from another. The idle evening life of wits begins with the same thing - walks. "Bowlers" indicate that these are people from the upper class. The wits walk around “wrapping their bowlers” as a sign of greeting, and at the same time they probably have a smile on their faces. But she is not sincere, but, most likely, selfish, "pasted" - they smile for the purpose of personal gain. Wealth doesn't make wits better - they all walk among the ditches, and the ditches are not the best place to walk, only disgust arises. The image of "wits" is associated with upstarts, egoists and jesters. The word "wits" is used with the epithet experienced, i.e. accustomed to their "rank"

The first line of the fourth stanza sets us in a romantic mood: "oarlocks creak over the lake ...". But here we hear a disgusting squeal, from which it becomes cramped in the soul, maybe a little scary.

The moon, which is a symbol of love, should set you in a romantic mood, but it “curves meaninglessly” in the sky. Block compares it with a disk, and with this word, an image of something metallic, unnatural arises. In this world, she has lost her properties - she looks more like an electric light bulb. The author personifies her, saying that she is "accustomed" to everything that is happening in the world.

The next two stanzas are a transition to another picture, directly opposed to the surrounding vulgarity. From these lines we learn that the lyrical hero is lonely: "and every evening the only friend in my glass is reflected." Maybe this friend is nothing but a reflection in the glass of the lyrical hero himself. "Tart and mysterious" moisture He called the wine, with which he "deafened" his grief. In the last stanza of the first part, the author once again emphasizes the earthiness of the situation in which people find themselves. The footmen here "stick out", for them it is work and, despite the humiliation and physical fatigue, they have to court "drunkards with rabbit eyes." The poet compares these people with animals. Man has sunk so low that he has lost all his qualities, and now he obeys only animal instincts. And in the life of these "suicides" there was only one truth left - wine.

In the first part, low vocabulary is used: "wild, drunk, pernicious, alley dust, crying, screeching, grimacing, sticking out, screaming."

In the second part, Blok speaks sublimely - mysteriously. At the beginning of the poem, it is real world. However, the next six stanzas in content and poetics constitute such an obvious contrast to the first part.

The lyrical hero is dissatisfied with the real world. This makes him go to the world of dreams, dreams and fantasies. He confused himself and now he cannot understand whether this is a dream or reality.

The salvation of the lyrical hero is that He remembers about the existence of unconditional love, yearns to believe, yearns for the only love.

Poem colors:

1 stanza. The red color of the censer fire and candles against the dark background of the interior church decoration. Blue river background. Her image on the other side in a white dress.

2 stanza. The white church against the background of an evening sunset in the dusk of a dull blue color.3 stanza. Her appearance is in bright light colors, a white church, a church fence, white flowers. 4 stanza. Dawn against the background of a foggy veil with a reflection of scarlet.

Sound recording.

Analysis of the poem by A.A. Block "I enter dark temples …»

The poem incorporates the main motifs of the cycle "Poems about the Beautiful Lady". The reason for creating the poem was the meeting in St. Isaac's Cathedral of A. Blok with L. D. Mendeleeva. An image appears before the lyrical hero, which can only be compared with Pushkin's Madonna. This is "the purest beauty of the purest example." In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: “Oh, I’m used to these robes”, “Oh, saint ...” - with the help of an anaphora, the author highlights the importance of the event. waiting for her. He is waiting for something wonderful, majestic and completely bows before this miracle. The “flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand Her and respect her. The hero understands her with his soul and elevates this image to heavenly heights, calling it “The Majestic Eternal Wife.” Church vocabulary (lamps, candles) puts the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around it. The temple is architecture that seeks to recreate the world order, striking harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. The image of the Mother of God appears before us, as the embodiment of the harmony of the world, which fills the soul of the hero with reverence and peace. He is a loving, selfless, impressed by a beautiful person. She is that beautiful and incorporeal thing that makes the hero shudder: “But an illumined one looks into my face, only an image, only a dream about her”, “I tremble from the creak of doors ...” She is the concentration of his faith, hope and love. Color palette consists of dark shades of red (“In the flickering of red lamps ...”), which carry sacrifice: the hero is ready to give up his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person, and a special value of the surrounding being. Tall white columns exalt the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shade of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world. Color painting. Sound writing.1 stanza: the sounds "a", "o", "e" combine tenderness, light, warmth, delight. Tones are light, shimmering. (The color is white, yellow.) 2 stanza: the sounds "a", "o", "and" - constraint, fear, darkness. The light is waning. The picture is not clear. (Dark colors.) 3 stanza: The darkness is leaving, but the light comes slowly. The picture is not clear. (A mixture of light and dark colors.) 4 stanza: the sounds "o", "e" carry ambiguity, but bring the greatest stream of light, expressing the depth of the hero's feelings.

Analysis of the poem by A.A. Blok "The girl sang in the church choir" .

In this poem, the poet conveys the interaction of Eternal Femininity, beauty with the reality of life, that is, the connection of the earthly and the Divine. At the beginning of the poem - peace, tranquility. A church is depicted, a singing girl, and in the background - ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with "... tired in a foreign land, ships that have gone to sea, having forgotten their joy." Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. Peaceful singing prompted everyone from the darkness to look at her white dress and listen to the mourning song. The darkness and her white dress symbolize the sinful and the holy in this cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “... And it seemed to everyone that there would be joy, that in a quiet backwater all the ships, that in a foreign land tired people found a bright life for themselves.” We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a beam, then the confidence came that the world is beautiful, it is worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But among the general happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only in memories, hoping for the best. With her dazzling radiance, with a gentle voice, the girl gave people the opportunity to forget for a moment what was happening outside the church. In the image of a girl, they saw that ray of life that they needed so much. They saw in her not a simple girl, but a Deity who descended from heaven to a sinful earth to save their souls. In the last column of the poem, the crying of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War). It helps us to understand the deeper meaning of the poem. color background. If even at the beginning of the poem people are swallowed up by darkness, then at the end of the poem the dark tones turn into light ones. It seemed to them that they "... found a bright life." In the fourth stanza, in the third line - "... involved in secrets, - the child cried" - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, all the brightest and most innocent. And in this case, he is a child prophet, foreseeing the difficult future of Russia.

Analysis of the poem by A.A. Block "She is slim and tall"

The poetic thought in the poem “She is slim and tall” moves from stanza to stanza with the help of a lyrical plot: the expectation of meeting with her beloved. The poem sounds in an elevated tone. “She is slim and tall…” - speaks of the inaccessibility of the heroine. With the help of these lines, we present the real features that elevate Her image. With the words “Always arrogant and harsh,” the author emphasizes Her constancy and inviolability. She is an ideal for a lyrical hero, but inaccessible and out of reach for him. The hero lives in order to see Her every day, to know that She is near. He does not expect reciprocity and does not ask for anything in return, he is ready for anything for Her sake, he watches over and, as it were, guards Her Majestic image. He knows every hour, a moment of Her life in advance. But we understand that the hero does not see the real girl, but only represents her. Her image is not clear to us, it is incomprehensible and vague: "... She - and with her a shaky reflection." The lyrical hero is so exhausted by expectation that the author compares him to a villain. The villain is a symbol of darkness, he is never seen. So the hero is constantly in the shadows, so his image is invisible. We just feel his presence next to us. He constantly pursues her. He plays hide-and-seek, does not give his beloved the opportunity to find himself, does not show himself, always remains at a distance. Here a third person appears - a rival of the lyrical hero. But he is surrounded by a dark background. We do not see a clear image, again unclear, dark, incomprehensible. The line “And I watched and sang their meetings” delighted us the most. The lyrical hero not only accepts, but sings of his choice, still remaining at a distance from Her. But still, he is with Her heart and soul, does not leave Her for a moment, follows every meeting. With the words “Yellow lights and electric candles flashed”, the author illuminates the path of the lyrical hero, along which he follows his beloved, illuminates his pure feelings. Yellow and "electric" colors confirm the true and warm feelings of the hero. The line “She had a premonition of something” suggests that even for a moment, but still the heroine feels His closeness, understands that someone lives with fiery love for Her. Although She only thinks about it, and does not believe, because she does not know about the existence of a lyrical hero, this is the whole tragedy. Sometimes the heroine begins to anticipate his presence, and he has hope and the possibility that she will finally notice him. But even at this moment, the hero is hiding, hiding somewhere far away, not just far away, but into the depths, which will again darken him. "Blind dark gate" symbolizes invisibility, obscurity, foggy. They help the lyrical hero to be in a constant shadow, but at the same time they separate, separate from his beloved, become a kind of barrier, and a dark one, which kills the opportunity to escape to the heroine. The lyrical hero is not seen not only by the beloved, but by everyone. He is completely isolated from the outside world, dedicated himself and his life only to her. He does not need communication with others, the world is alien to him. Only She is the meaning of his life, thanks to love for Her, he lives. At the same time, he watches his opponent, perhaps evaluating him, but not in order to compare with himself, but in order to rejoice at the choice of his beloved. In the line "Her silver-black fur", the hero again notices Her peculiarity. Even clothes elevate, put Her higher. Silver is associated with brilliance, which gives purity and sincerity to the heroine. Fur says that the image is dear to the hero, he always keeps it in his heart. The whispering lips of the heroine prove that he can only hear a whisper, since he is not given to understand what this Beautiful Goddess and "Holy" is talking about. Heroes of the poem He and She .HE- earthly, so mundane that he is afraid to get off the ground. He is a mortal and sinful man. In the poem, he takes the role of an observer, since he is at a distance from his beloved, not being able to be near, he is in constant motion, as evidenced by the presence of verbs: followed, fled, knew. It has pure love, which fills the life of the lyrical hero with reverence and peace. It has mental pain, sadness, embarrassment, which causes a strong feeling of separation. Lives for the ideal he worships. It is she who is the meaning of his life. It remains with devotion in the soul and sincere joy, because the beloved is happy. SHE- the embodiment of the "Deity", "Goddess", "Majestic Wife", "Holy". The image has many faces: on the one hand, this is an earthly woman, and on the other hand, a majestic, sublime one is likened to the image of the “Our Lady”, embodying the harmony of the world, takes the role of an ideal that fills the life of the hero with meaning. It has the properties of something mysterious, mystical, unearthly, silent. He has the love of an eternal adorer, about whom he knows nothing and has no idea of his existence. Heroes share the incompatibility of Earth and Heaven. They are from different worlds. It unites the unsolved mystery, which, like a cloud, entangles the heroes. We do not see a single clear image of the heroes, they are darkened, unclear, vague. Sound recording. Color painting. The sound "e" prevails, which elevates the breadth of the hero's feelings. The combination of the sounds “o” and “a” is filled with symbolic meaning, expressing the magnificence, height, delight and depth of the hero’s feelings for the Beautiful Lady. Her image appears in dark silver tones, the sounds "d" and "t" denote fog and darkness. The silvery color and the “shaky reflection” speak of the easy ease of the relationship between the characters. At the same time, her severity and arrogance worsen the relationship, you can immediately predict the impossibility of communication between them. The structure of the first three stanzas is the same, they consist of simple sentences. Dots at the end of lines. This means that the hero is confident in himself. The structure of the last two stanzas is combined into one complex sentence. Here, dark, cold colors begin to thicken, which confirms the predominance of the sound “and”. The intonation is calm, even, emotionally not exalted. There are no expressive punctuation marks.